Henriette Bier

After graduating in architecture (1998) from the University of Karlsruhe in Germany, Henriette Bier worked with Morphosis (1999-2001) on internationally relevant projects in the US and Europe. She has taught digitally-driven architectural design (2002-2003) at universities in Austria, Germany, Belgium and the Netherlands and since 2004 she mainly teaches and researches at Technical University Delft (TUD) with a focus on Robotic Building. Bier initiated and coordinated (2005-06) a workshop and lecture series on Digital Design and Fabrication with invited guests from MIT and ETHZ, and finalized (2008) her PhD on System-embedded Intelligence in Architecture. She coordinated EU projects E-Archidoct and F2F Continuum (2007-10) and led 4TU projects RDCB and Adaptive Joints (2015-18). From 2017 to 2019, Henriette Bier served as a professor at the Dessau Institute of Architecture. Results of her research are internationally published in books, journals and conference proceedings and she regularly lectures and leads workshops internationally.

Paul Pangaro

Paul Pangaro has been studying conversation and design, both human-human and human-machine, for over thirty years. His design practice, lectures, and writing have centered on designing for conversation and seeing design as conversation. His career spans roles as interaction designer, entrepreneur, researcher, performer, and professor. Currently Pangaro is creating #NewMacyMeetings, a renewal of the original Macy Meetings from 1940s and 50s that became the foundation of cybernetics, now with 21st-century trans-global and trans-generational constituents. In 2018 Pangaro, with TJ McLeish, created a full-scale replica of Pask’s Colloquy of Mobiles, displayed at Centre Pompidou in Paris in 2020 and now part of the permanent collection of ZKM museum in Karlsruhe, Germany. In January 2019 Pangaro became Professor of the Practice in the Human-Computer Interaction Institute at Carnegie Mellon University. His academic career includes a BS in Humanities/Computer Science from MIT (after which he joined the research staff at the Architecture Machine Group) and a PhD with Gordon Pask in Conversation Theory in the Cybernetics Department at Brunel University (UK). He collaborated with Pask for over a decade. Pangaro recently formed the non-profit Cybernetic Media to help preserve and extend the rich legacy of cybernetics.

Navid Navab

Navid Navab (CA/IR) is a media alchemist, interdisciplinary composer, and tabletop cosmologist. Interested in the poetics of schizophonia, gesture, and embodiment, his work investigates the transmutation of matter and the enrichment of its performative qualities. Navid uses gestures, rhythms and events from everyday life as a basis for real time compositions, resulting in augmented acoustical­ poetry and painterly light that enchant improvisational and pedestrian movements. 

Navab has led large scale interdisciplinary research projects at IRCAM Paris, CRIMMT McGill Montreal, Computer Aided Medical Procedures Group TUM Munich, Milieux and Hexagram networks at Concordia Montreal, and CIID Copenhagen.  Navid currently co-directs the Topological Media Lab, where he leverages phenomenological studies to inform the creation of computationally-enchanted environments. TML projects serve as investigations in the construction of fresh modes of cultural knowledge and the critical studies of media arts and techno-science, bringing together practices of speculative inquiry, scientific investigation and artistic research-creation practices. 

His works, which which take on the form of responsive architecture, site specific interventions, interactive scenographies, kinetic sculptures, and multimodal performances, have been presented at diverse venues such as: Ars Electronica, Contemporary Arts Museum of Zagreb, Nemo Biennale Paris, Japan Society NY, Kapelica Gallery Slovenia, Canadian Center for Architecture, HKW Berlin, Contemporary Arts Museum Houston, Digital Arts Biennial Montreal, Musiikin Aika Finland, SONICA Scotland, Eufonic Spain, and milanOltre Festival Italy.

Research-creation statement: 

I maintain the view that computation is foremost a material process, non-linear, largely indeterminate, vibrant with life, and irreducible to deterministic models. Coming from this stance, my artistic process aims to preserve the richness of uncanny material-computational processes while leveraging them compositionally. The act of composing computational media could entail the orchestration of event dynamics to quasi-deterministically enact degrees of instability and to enchant the stuff-of-the-medium. This process starts with of an ethico-aesthetical search for the excitable mysteries of matter (material-energy-affective processes), and leads to a careful orchestration of sensuous moments of knowing with others, humans or none.

Svenja Keune

After exploring electronics to create adaptive and responsive textile surfaces and communicative objects, Svenja Keune turned toward seeds as a potential biological alternative, and as a dynamic material for textile design. During her PhD project “On Textile Farming” within the MSCA ArcInTexETN, and in order to explore alternative ways of living that the textile plant hybrids propose, she built and moved into a Tiny House on Wheels to live together with the research experiments. Her current interests include post-anthropocentric perspectives to textile and spatial design, additive manufacturing, multi-species relationships, design ethics, permaculture design processes, plant cultivation and biology.

Svenja Keune is a postdoctoral researcher at the Swedish School of Textiles, University of Borås, in Sweden and at the Centre for Information Technology and Architecture (CITA) at the Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation in Copenhagen, where she is currently working on ‘Designing and Living with Organisms (DLO)’, a 3 year project funded by an international postdoc grant from the Swedish Research Council.

Alice Jarry

Alice Jarry is a professor in the department of Design and Computation Arts at Concordia University. She is the director of Milieux Institute’s Speculative Life Biolab, co-director of the Topological media Lab, and a member of the Canada Excellence Research Chair in Next Generation Cities. As an artist-researcher and educator, Jarry specializes in site-specific responsive works, sci-art practices, socio-environmental design, digital arts, and tangible media. Her research brings concerns about sustainability, aesthetics, and politics to bear critically upon materiality, material production, and contemporary matters-of-concern regarding urban infrastructure. Her current projects focus on residual matter and smart and biomaterials for the built environment. With matter inseparable from both form and practice, her installation works explore how the development of reactive and filtering membranes – engaged in processes of transformation with site, technology, and communities – can provoke the emergence of adaptive forms and resilient socio-environmental relations.

Jarry is equally a member of Kheops – International Research Consortium on the Governance and Management of Large Infrastructure Projects -; Hexagram – International Network Dedicated to Research-Creation in Media Arts, Design, Technology and Digital Culture; and Montreal based Digital Arts Collective Perte-de-Signal (Montréal). Her research received funding from SSHRC, FRQSC, and Hexagram. Her works have been presented at Centre George Pompidou (Paris), Vox Centre de l’image Contemporaine (Montréal), Biennale Nemo (Paris), Leonardo Da Vinci Museum of Science and Technology (Milan), at Automata (International Digital Arts Biennial, Montreal), Le mois Multi (Quebec), Device_Art Triennale (Zagreb), Invisible Dog Art Center (New York), Mons 2015, European Capital of Culture (Mons), Physicalité (International Digital Arts Biennial, Montreal), La gare numérique (Jeumont), the LASER series (Leonardo) and in several locations across Canada, the United States, and Europe.

Manuel Kretzer

Dr. sc. Manuel Kretzer is professor for Material and Technology at the Dessau Department of Design, Anhalt University of Applied Sciences. His research aims at the creation of dynamic and adaptive objects, spaces and experiences. A specific focus is on new smart and biological material performance and their combination with advanced digital design and fabrication methods. In 2012, Manuel initiated materiability, a free educational platform that connects architects, designers and artists and provides access to novel material developments and technologies. In 2020 he founded the Materiability Research Group and associated Mat-Lab at the University Campus Dessau. Manuel Kretzer is also a founding partner at responsive design studio based in Cologne. The office works in various scales, including architecture, interior architecture, landscape architecture, furniture and object design, and provides individual digital design and fabrication services. Manuel has held teaching positions at ETH Zürich, the Braunschweig University of Art, the Technical University Braunschweig, the Dessau Institute of Architecture (DIA), the Institute for Advanced Architecture of Catalonia (IAAC), the Faculty of Architecture Innsbruck University and the School of Architecture, Technical University Dublin.

Antonio Camurri

Antonio Camurri coordinates the EnTimeMent EU project with the LASG. He holds a PhD in Computer Engineering and is a professor at the University of Genoa, teaching Human Computer Interaction courses for the MS in Computer Engineering and MS in Digital Humanities. As art influences science and technology, science and technology can in turn inspire art — recognizing this mutually beneficial relationship, Camurri’s research interests combine scientific research in human-computer interaction with artistic and humanistic research, and includes non-verbal multimodal interactive systems; computational models of non-verbal full-body expressive gesture, emotion, and social signals; interactive multimodal systems for performing arts, for active experience of cultural content, for health, therapy and rehabilitation. Antonio Camurri is the Scientific director of Casa Paganini – InfoMus Research Centre of DIBRIS, former member of the Executive Committee of the IEEE CS Tech. Committee on Computer Generated Music, member of the editorial board of the Journal of New Music Research, and member of the ESF College of Expert Reviewers. He is coordinator of European funded projects in FP5 (IST MEGA), FP7 (ICT SAME, ICT FET SIEMPRE) and Horizon 2020 (DANCE; FET PROACTIVE EnTimeMent), Principal Investigator in over 20 EU-funded projects, and Co-director of ARIEL – Augmented Rehabilitation Joint Lab with the Giannina Gaslini Children Hospital. Camurri has authored over 150 scientific publications and co-owns several patents.

Michael O’Rourke

Michael O’Rourke is Professor of Philosophy and faculty in AgBioResearch and Environmental Science & Policy at Michigan State University. He is Director of the MSU Center for Interdisciplinarity and Director of the Toolbox Dialogue Initiative, an NSF-sponsored research initiative that investigates philosophical approaches to facilitating interdisciplinary research and implements them across a broad range of contexts. His research interests include epistemology, the philosophy of environmental science, communication and epistemic integration in collaborative, cross-disciplinary research, and linguistic communication between intelligent agents. He has published extensively on the topics of communication, interdisciplinary theory and practice, and robotic agent design. He has been a co-principal investigator or collaborator on funded projects involving environmental science education, facilitating cross-disciplinary communication, biodiversity conservation, sustainable agriculture, resilience in environmental systems, and autonomous underwater vehicles. He co-founded and served as co-director of the Inland Northwest Philosophy Conference, an interdisciplinary conference on philosophical themes, and as co-editor of the Topics in Contemporary Philosophy series published by MIT Press.

Katy Börner

Katy Börner is the Victor H. Yngve Distinguished Professor of Engineering and Information Science in the Departments of Intelligent Systems Engineering and Information Science, Luddy School of Informatics, Computing, and Engineering; core faculty of the Cognitive Science Program; and founding director of the Cyberinfrastructure for Network Science Center—all at Indiana University in Bloomington, Indiana. 

She is also a visiting professor at the Royal Netherlands Academy of Arts and Sciences (KNAW) in the Netherlands and Humboldt Fellow at Dresden University of Technology, Germany. Börner became a Fellow of the American Association for the Advancement of Science (AAAS) in 2012, a Humboldt Research Fellow in 2017, and an Association for Computing Machinery (ACM) Fellow in 2018. Since 2005, she has served as a curator of the international Places & Spaces: Mapping Science exhibit

Börner’s research focuses on the development of data analysis and visualization techniques for information access, understanding, and management. She is particularly interested in the formalization, measurement, and systematic improvement of people’s data visualization literacy; the study of the structure and evolution of scientific disciplines; the analysis and visualization of online activity; and the development of cyberinfrastructures for large-scale scientific collaboration and computation.

She holds an MS in electrical engineering from the University of Technology in Leipzig and a PhD in computer science from the University of Kaiserslautern.

Matt Gorbet

Matt Gorbet twists technology to create the unexpected. He co-founded Gorbet Design, Inc. to create unconventional objects and experiences in public spaces. These artwork and installation projects have been exhibited internationally and installed permanently in retail, hospitality and educational environments.
Matt’s work with PB/LASG focuses on interaction and behaviour design, as well as technology integration and strategy.
Matt has developed and taught Physical Computing and other design courses for the Canadian Film Centre and OCAD University, and co-founded a research lab at Ryerson University. He recently led a 5-year project designing the infrastructure for the “Art+Technology” public art program at the San José International Airport.
Among the first graduates of the Tangible Media Group at the MIT Media Lab, Matt went on to become a member of research staff at Xerox PARC in the 1990s, where his multidisciplinary team pursued speculative design of new document genres. He holds several patents on novel interaction technologies.